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Showing posts with label hip-hop. Show all posts
Showing posts with label hip-hop. Show all posts

Saturday, March 27, 2010

LOST and finding...

Buenos Aires' premiere hip-hop Club: LOST

This Thursday I can officially call myself a researcher. I didn't have to spend three days slaving in an archive to earn this title. Instead, I earned it in the university of Da Club. This Thursday, actually by invitation of a few amigos, I found myself at LOST, the biggest mainstream hip-hop club in Buenos Aires. Every Thursday night Club Arroaz in the illustrious barrio de Palermo, opens the doors to those who want to get LOST in a bit of hip-hop. It's an impressive crowd. Even if you aren’t a huge hip-hop fan, the club will always bring the lolz because of the rich social intersections of such disparate people, especially if you’re looking as an anthropologist.

First and foremost from around 12am to 2:30am all the bboys and bbgirls come out to play. The club turns into a battle arena of sorts; 90’s jamz spinning on the 1s and 2s sets the mood while hundreds of youth create a break circle or watch from the upstairs balconies. Bright colors flashing, and huge screens overhead remind you that you’re in LOST: THE hip-hop culture club.

The second group of people that you’ll always run into, (or more likely, they’ll run into you and shout a drunken “sorry…I mean LO SIENTO”) is every American study abroad student that has ever lived in Buenos Aires. Ever. It is like “intercambio mecca” after the American visitors realize that its too hard to sloppily booty-bump to the techno, cumbia, and 80’s rock that plays at more mainstream posh clubs.

The next charming group are what la gente in Buenos Aires refer to as “los chamuyeros” or bull shitters. This cohort is made up of Argentine 20 somethings on a strictly predatory mission. They are usually armed with a mullet or other embarrassing Argentine haircut, a polo, and incredible artillery of pick up lines (often times in broken English). They reek of cheap beer and feel that they must touch you and speak no more than one inch from your face to transmit their important message. They may or may not be flanked by their female counter parts who are just looking for some attention despite their lack of rhythm.

And lastly, what's most important-ly, in my biased opinion is the gathering of black, and brown people that congregate every Thursday. Africans, Afro-Argentines, Afro-descendants of all sorts come to revel in the Afro rhythms….la musica negra. Some nights make me more proud than others.

As I’ve previously mentioned, Argentina has the absolute most Euro-centric appearance, discourse, and public memory in America Latina. It is popular for gente to pronounce, no hay negros en Buenos Aires, we have no black people, while completely overlooking those that exist, and the population that grows more and more everyday.

This specific night I was flanked by two Fulbrighters, a few Argentines, a Chinita (little Chinese girl) as they call my Japanese friend, and an Afro-Columbian activist I recently met. Arriving at around 2:00, we got to see the last part of the bboys action, as well as a bgirl dance troupe do a planned number: music, lighting and all.

There were a few really talented bboys who had a real smooth and impressive style…one spinning on his head like a cork screw for a minute at least…faster and slower, then continuing his top rock afterwards. Damn! But as a whole, the bboys were a bit jerky in their style, violently Argentine in their moments.

Afterwards when a mainstream pop beat came on, the djs switched and the circle closed up to do their thing. The b-boy audience dissolved into a mobbing crowd, some swaying nervously to the rhythm, some continuing their pop lock sessions, some latching on to the waist of the cute, giggling American at their side, and some running to the bar to get wasted enough to feel alive.

My head hurt so I wasn’t getting down like my usual self, but it wasn’t until I heard “Grillz” that I realized, the music just wasn’t doin it for me that night.

As I was about to leave, Luna came back and to tell me that he just saw Fidel Nadal, a huge reggae artist in America Latina, who happens to be my friend Fede’s cousin, and another Afro-Argentino that interviewed years ago. I went to say whats up to Fidel, who I hadn’t seen for a few years, and his friend told me that they were all hip-hop artists and they would be doing a show the following evening.

And so I ended the night with more work on the agenda. A concert the next day--que vida de orrrrrrrtoooo que tengo. :)



Monday, March 15, 2010

Back to Buenos Aires....


The five months that I spent in Buenos Aires during my study abroad term in 2008 was truly life changing. I arrived as a gringa mute and deaf to Porteño español, and left having written essays on La Politica Exterior de Argentina. It was in Buenos Aires that I started my love affair with cooking, that I would jam with jazz musicians, where I tested the academic waters with an independent project. I was so enamored with the city that I almost deferred my college studies to play soccer in Buenos Aires.

My time was about language immersion with beer in hand, singing, dancing, and constant activity, activity, activity.

This time, though I'm super hyped about the future prospects, my focus will be completely different. My experiences during this grant process will focus on answering the following questions: Do I love research? Do I want to get a pHd? Do i want to study hip-hop/music/& black people in latin America...?

Do I want MORE formal education?? A LOT more formal education? Will higher education eat my brain??

When I signed up for the study abroad experience in 2008, I was embarrassingly ill-informed about the country and the culture. I was looking for a sexy spanish, salsa, rice and beans, and brown people...none of which are easy to find in this city. As I looked for ways to supplement my African American studies major, I was literally laughed at on arrival. You can't study that down here...
We don't HAVE ANY BLACK PEOPLE!

Befuddled as to how a city that was a former slave port could claim to have no black people, black history, no black roots, nor any culture to teach about, I started investigating on my own. This independent investigation became my thesis "From Candombe to Hip-hop: Generational shifts in black Ideology"

This time, I'll be focusing my studies almost completely on Hip-hop.

To get started on the right foot I've made a list of possible goals and research questions.
How the project will develop from here, only time can tell.

Exploring the significance of hip-hop culture in Buenos aires as it grows from it's incipience

Exploring hip-hop culture as it specifically relates to the black community in Buenos aires

Exploring a new sentiment of organizing (around diaspora)?

Exploring a new concept of blackness—less localized more globalized?

Can music continue to be a unifying entity for the community? (Is the word community even applicable to a dispere group of people who happen to be afro-descendientes?)

Is community something that the diaspora in Argentina is searching for?

Can music be a teaching and galvanizing force for the community?

Aside from hip-hop, what are some of the most important musical genres for young Afro people?

Will hip-hop be a way for Argentines to view and recognize blacknesses, while Afro-Argentines realize their own blackness? (Will this give Afro-Argentines a cultural identification?)

Will this alternative culture gain a voice although there is little appreciation for hip-hop in the mainstream culture?

Can hip-hop ever be a non-political entity??