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Showing posts with label Afro-descendientes. Show all posts
Showing posts with label Afro-descendientes. Show all posts

Saturday, March 20, 2010

Emerging community or Afro purgatory: Why am I here anyways??

About a month before I left for Buenos Aires I got an exciting e-mail from my friend Fede Pita, an Afro-Argentine slave descendent and political activist in Buenos Aires. He let me know that:

1.) He was getting married!

2.) He had been elected the president of the organization La Diaspora Africana en Argentina

I was ecstatic about both events, especially because I would just happen to be arriving in Buenos Aires as he would tie the knot.

Fede was one of my first contacts within the communidad afro en Argentina two long years ago. He gave an inspiring speech on a panel of activists and academics during The Week of Africa en Argentina, (although it was only later when I transcribed the speech that I was inspired, as my Spanish at the time was “mas o menos”). Nonetheless, I was impressed with what I did understand and his fiery energy that made his words shoot out in bullets. About four months into my exchange in Buenos Aires, I met with Fede, and his little brother Nico Pita for helado at the mall. We talked easily, despite my verbal hobbles in trying to express concepts of black liberation in my alien language.

The Pitas and the Nadals are two of Argentina’s largest existing Afro-Argentine families of slave descendents, and they are closely linked by marriage ties. Unfortunately, most people don’t believe that they exist. That’s right, throw away your visions of all Latin American countries being rice and bean eating brown and black people who speak a smooth Spanish. (Ok, maybe those were my prejuicios coming from the vision of the black and white city of Pittsburgh.) One of the most common phrases that you’ll hear in Buenos Aires is “no hay negros in Argentina”.

Porteños will tell you that these Afro-Argentine families just don’t exist anymore. Yup, “They’ve all disappeared” or “They were all killed off in the wars and by yellow fever.” or “We never really had very many slaves anyways, they all came from Brazil”. No hay negros in Buenos Aires.

Ok, so how can this be??

Well, at the turn of the 19th century, Argentina’s founding fathers went through the identity crisis similar to that which most Latin American elite were experiencing. As their colonizers were pushed back to their high chairs across the sea—they realized that THEY COULD NO LONGER CLAIM WHITENESS, they were LATIN AMERICAN. The remaining elite (and often the lightest breeds) who would often become the founding fathers, scrambled to find ways to become obedient children to their former colonizers. One of the best ways to make themselves more appealing to the Mama Patria (and to their own colonized minds) was to make themselves whiter!

Argentina just happened to be more successful than most countries.

The country that some 200 years ago was one third Afro-Argentine, is now the "whitest" country in America Latina with only a speculated 2-3% of population claiming to be Afro-descendants.

How the hell did they do it?

Well, I can’t tell you why Argentina specifically was so successful at ridding themselves of black and indigenous people—I’d say part efficiency, and part luck.

Efficiency:

-- Founding Fathers such as Sarmiento (like an Argentine George Washington) literally wrote up a plan to make the country whiter and therefore more “civilized”.

--Similar to Americans, in the late 1800’s the national government organized a genocidal tour around the Argentine countryside in hopes of reinventing and modernizing Argentine society. (Read: Kill all brown and black people by whatever means necessary.)

--At the beginning of the 20th century founding fathers mused that the most efficient way to civilize the population was to just bring in more Europeans. They received over 6 million European immigrants, doubling the population of the capital city in just a few years.

--At the end of the 19th century, a yellow fever epidemic broke out. By taking no precautions to protect the slums, 20,000 people died—most poor, and disproportionately black.

Luck:

--Ok, well clearly a bitter sweet luck. Argentine's fought numerous and consecutive wars in their independence process, killing off a great deal of Afro-Argentine men who were fighting for their freedom.

--By endorsing the silly notion that miscegenation would actually whiten the country and civilize the people of color. (White blood is stronger, so they said.) Their genetic miscalculations actually came to fruition when the deluge of Europeans drowned out the number of colored folks.

While importing Europeans and courting the British and French, the Porteño elite also worked hard through the 20th century to continue to rebuild their port city specifically to resemble Paris. The Argentine independence process was like 100 years of plastic surgery that the current Porteño population wants no recollection of. Despite the extensive indigenous and African influences on the culture of the country, the national imagery remains one of European mixture.

Everything that is black or indigenous is often geopolitically located to neighboring countries. When telling cab drivers what I research, one common suggestion is that I move my research to Brazil, where I might find something. When asking Argentines about the Afro-Argentine traditional music Candombe, they politely tell me that the tradition is from Uruguay.

Everyone who is phenotypically black is considered a foreigner in Argentina and so the Pita and Nadal families go through pains in trying to explain their existence.

“How is it that you are Argentine?” People ask quizzically.

“But where are you REALLY from? Where are you parents from?”

Some, blinded by a white Argentine mythology firmly bolstered by public education, refuse to believe in the existence of Afro-Argentines.

Most of my interactions with Fede Pita involved political meetings or at least political conversations. He’s incredibly well-read and well-spoken, and because of his constant interest and research on the diaspora, his ideas and understanding about black social politics in Argentina is often on a different dimension than older activist with very localized definitions of culture and race. As the name of the group “Diaspora Africana en Africana” suggests, his activist politics are firmly rooted in organizing a cultural African diaspora in Argentina. His views come partly from his voracious reading of diasporic literature…and partly from his interest in hip-hop.

Fede and his family own the biggest hip-hop clothing and shoe company in Buenos Aires, and he is actually one of the biggest inspirations for my writing my thesis on music, and for applying for a grant to study hip-hop.

Where the topic of my studies will take me, I’m unsure, but with Fede (and wife) onboard the Afro-Diasporic train, I’m interested to see where we’ll all be going...

Monday, March 15, 2010

Back to Buenos Aires....


The five months that I spent in Buenos Aires during my study abroad term in 2008 was truly life changing. I arrived as a gringa mute and deaf to Porteño español, and left having written essays on La Politica Exterior de Argentina. It was in Buenos Aires that I started my love affair with cooking, that I would jam with jazz musicians, where I tested the academic waters with an independent project. I was so enamored with the city that I almost deferred my college studies to play soccer in Buenos Aires.

My time was about language immersion with beer in hand, singing, dancing, and constant activity, activity, activity.

This time, though I'm super hyped about the future prospects, my focus will be completely different. My experiences during this grant process will focus on answering the following questions: Do I love research? Do I want to get a pHd? Do i want to study hip-hop/music/& black people in latin America...?

Do I want MORE formal education?? A LOT more formal education? Will higher education eat my brain??

When I signed up for the study abroad experience in 2008, I was embarrassingly ill-informed about the country and the culture. I was looking for a sexy spanish, salsa, rice and beans, and brown people...none of which are easy to find in this city. As I looked for ways to supplement my African American studies major, I was literally laughed at on arrival. You can't study that down here...
We don't HAVE ANY BLACK PEOPLE!

Befuddled as to how a city that was a former slave port could claim to have no black people, black history, no black roots, nor any culture to teach about, I started investigating on my own. This independent investigation became my thesis "From Candombe to Hip-hop: Generational shifts in black Ideology"

This time, I'll be focusing my studies almost completely on Hip-hop.

To get started on the right foot I've made a list of possible goals and research questions.
How the project will develop from here, only time can tell.

Exploring the significance of hip-hop culture in Buenos aires as it grows from it's incipience

Exploring hip-hop culture as it specifically relates to the black community in Buenos aires

Exploring a new sentiment of organizing (around diaspora)?

Exploring a new concept of blackness—less localized more globalized?

Can music continue to be a unifying entity for the community? (Is the word community even applicable to a dispere group of people who happen to be afro-descendientes?)

Is community something that the diaspora in Argentina is searching for?

Can music be a teaching and galvanizing force for the community?

Aside from hip-hop, what are some of the most important musical genres for young Afro people?

Will hip-hop be a way for Argentines to view and recognize blacknesses, while Afro-Argentines realize their own blackness? (Will this give Afro-Argentines a cultural identification?)

Will this alternative culture gain a voice although there is little appreciation for hip-hop in the mainstream culture?

Can hip-hop ever be a non-political entity??